MONDAY JAN 29, 2018
529 Presents:
529, Irrelevant Music & Scorpion Beach Present:
Shouldies
Internet Boyfriend
Λ°C | Beverley | Richard Gumby
Shouldies
Internet Boyfriend
Λ°C
"There’s something undeniably appealing about the dark vibes that permeate throughout the self-titled album from Ann Catherine Carter aka AC Carter aka AC aka Λ°C. For fans of the production style of late 70′s, early 80′s post-punk undertakings, this should feel right at home. It’s a wall of sound broadcast from a dark room, easily inspired by the likes of New Order bass tones and proto goth vocals. The lead track, “At Least You Make Me Feel”, features R. Stevie Moore (presumably on guitar) and certainly sets the template for the rest of the record." -We Own This Town
"There’s something undeniably appealing about the dark vibes that permeate throughout the self-titled album from Ann Catherine Carter aka AC Carter aka AC aka Λ°C. For fans of the production style of late 70′s, early 80′s post-punk undertakings, this should feel right at home. It’s a wall of sound broadcast from a dark room, easily inspired by the likes of New Order bass tones and proto goth vocals. The lead track, “At Least You Make Me Feel”, features R. Stevie Moore (presumably on guitar) and certainly sets the template for the rest of the record." -We Own This Town
Richard Gumby
Darkly colorful art pop artist richard gumby began as the solo project of multi-instrumentalist Scott Crossman. The latest release “scarecrow landing” dances hypnotically through trap beats, footwork breakdowns and Beatles-esque originality all the way to novelty music, squishy synthesizer melodies and off-kilter country guitars. Disposing of art rock riffs in place of 808s and downtempo drum machine beats, the effort is largely inspired by 90’s R&B, giving an other-worldly or other-timely space to the songs and setting them apart from those that could be placed in a similar genre.
Darkly colorful art pop artist richard gumby began as the solo project of multi-instrumentalist Scott Crossman. The latest release “scarecrow landing” dances hypnotically through trap beats, footwork breakdowns and Beatles-esque originality all the way to novelty music, squishy synthesizer melodies and off-kilter country guitars. Disposing of art rock riffs in place of 808s and downtempo drum machine beats, the effort is largely inspired by 90’s R&B, giving an other-worldly or other-timely space to the songs and setting them apart from those that could be placed in a similar genre.