SATURDAY APR 21, 2018
529 Presents:
529 & Irrelevant Music Present:
TWINS / That Which Is Not Said
Gel Set
Apt Complex | Christ Harp
TWINS / That Which Is Not Said
That Which Is Not Said is an album about learning to accept oneself within, and accept the reality of all that comes from without. It’s an eponymous abstract exposition on navigating the realms of intimacy that the living world inevitably unveils and their equally inevitable fallout, the panic of abandonment and the loss of desire, and dragging oneself back up the hill once the lonely valleys lose their allure. Written and recorded over the course of two years in TWINS home studio in Atlanta with various synths, samplers, drum machines, and his very own flesh-and-muscle vocals, That Which Is Not Said is the result of countless studio sessions and experiments that were refined and distilled into the songs presented here, rigorously worked out through live performances and repeated critical overhaul. The material was all conceived more or less the same way: a mood or feeling would be channeled through whatever machines were plugged in at the time and eventually a foundation would be developed upon which a loose structure would be improvised. Experimenting and throwing around vocals came next, making up phrases and lyrics on the fly until something clicked and a pathway cleared through the fog and mist. TWINS (the acronym from which the album derives its title, if one’s curious about the order of origin) is the mutant machine-pop project of Atlantan producer, label operator, and all-around aesthete-visionary Matt Weiner. Having spent the better part of a decade reveling in a moody murk that intersects seductive synth-pop with Featureless Ghost and grotesque industrial-dance grooves in his own right as TWINS, Weiner has more than proved his sincerely sinister and auspiciously artful finesse of synth-based music. Operating from his home studio, arrayed with various tools of the trade, Weiner tempers his subtle scourges of sound with an unending sense of bold exploration, processing tracks of pulse-heavy aural catharsis. When performing these songs live, he brings an array of hardware to back up his flooring vocal performances, using his entire being to work the audience into a frenzied trance. When not making music as TWINS, Weiner also runs the CGI Records label and co-runs the DKA label, between the two releasing music from Boy Harsher, Profligate, Alex Falk, High-Functioning Flesh, VALIS, Scott Fraser, Beau Wanzer, Featureless Ghost, Golden Donna, and more. Weiner also performs in the duo Pyramid Club with Chris Daresta, and produces music in the studio with Stefan Ringer as SM42 and with the esteemed CH Rom as Wo.
That Which Is Not Said is an album about learning to accept oneself within, and accept the reality of all that comes from without. It’s an eponymous abstract exposition on navigating the realms of intimacy that the living world inevitably unveils and their equally inevitable fallout, the panic of abandonment and the loss of desire, and dragging oneself back up the hill once the lonely valleys lose their allure. Written and recorded over the course of two years in TWINS home studio in Atlanta with various synths, samplers, drum machines, and his very own flesh-and-muscle vocals, That Which Is Not Said is the result of countless studio sessions and experiments that were refined and distilled into the songs presented here, rigorously worked out through live performances and repeated critical overhaul. The material was all conceived more or less the same way: a mood or feeling would be channeled through whatever machines were plugged in at the time and eventually a foundation would be developed upon which a loose structure would be improvised. Experimenting and throwing around vocals came next, making up phrases and lyrics on the fly until something clicked and a pathway cleared through the fog and mist. TWINS (the acronym from which the album derives its title, if one’s curious about the order of origin) is the mutant machine-pop project of Atlantan producer, label operator, and all-around aesthete-visionary Matt Weiner. Having spent the better part of a decade reveling in a moody murk that intersects seductive synth-pop with Featureless Ghost and grotesque industrial-dance grooves in his own right as TWINS, Weiner has more than proved his sincerely sinister and auspiciously artful finesse of synth-based music. Operating from his home studio, arrayed with various tools of the trade, Weiner tempers his subtle scourges of sound with an unending sense of bold exploration, processing tracks of pulse-heavy aural catharsis. When performing these songs live, he brings an array of hardware to back up his flooring vocal performances, using his entire being to work the audience into a frenzied trance. When not making music as TWINS, Weiner also runs the CGI Records label and co-runs the DKA label, between the two releasing music from Boy Harsher, Profligate, Alex Falk, High-Functioning Flesh, VALIS, Scott Fraser, Beau Wanzer, Featureless Ghost, Golden Donna, and more. Weiner also performs in the duo Pyramid Club with Chris Daresta, and produces music in the studio with Stefan Ringer as SM42 and with the esteemed CH Rom as Wo.
Gel Set
Laura Callier came across the phrase Body Copy while using some now forgotten freeware at a now forgotten job that didn’t want to pay for the name brand goods…body copy, as in…the text to be entered into the body of a document. “What is the content of your body’s copy?” she asks you to ask yourself. Then, a year ago, she moved from Chicago to Los Angeles, a bit on a whim, a bit to escape winter, a bit to pursue sound design and post production. She would go out, and search for familiar faces at shows, in stores, on sidewalks. It’s an overpopulated city, but it’s a lonely city. Strangers everywhere looked slightly familiar, like if you took the face of a loved one and popped it in the microwave for 10 seconds. The world is full of Body Copies, and the Nerds haven’t even perfected Replicants yet. Gel Set is the art that Callier makes in her noisy bedroom, currently in Koreatown. She sold most of her gear before moving to LA, but on this album, in varying amounts, she used a Tempest, a Monomachine, an Evolver, a Mopho, a Yamaha RX5, Arturia soft synths, Ableton, a TR-8, a Nord Rack, and a Virus A. Maybe some other things? She also says she got a bunch of film samples/sound effects from an unpaid job she did in LA that she used as much as possible on this album to justify her excessive free labor. By got, she possibly means stole? Stealing is wrong, she says, but so is the exploitation inherent in some unpaid industry jobs. “Just sayin,” she mutters, and changes the subject. When asked her influences, she says “I like crunchy, hard electronic music that sounds like it was made by someone who is growing mushrooms on their person,” whatever that means, and she says she loves the raw emotion of Karen Dalton, the abstract story telling and dissonance of late Scott Walker, the synthesis of Mort Garson and Tangerine Dream, the heavy sounds of Hogg, and she’s ever flattered by comparisons to Chris and Cosey. She says she also loves music with a pop sensibility, from Erasure to Jessy Lanza. TL;DR, the hard facts: She’s a multimedia artist. She plays in several bands besides Gel Set (her solo project). Simulation is dreamy psychedelic electronic duo with Whitney Johnson from Matchess, E+, and Verma. Athleisure is a duo with video artist Jason Ogawa from Tarnation. God Vol 1 is a duo with visual artist Nicole Ginelli. She grew up in Houston. She’s a Leo, Scorpio Rising. She says she has a codependent relationship with her 16 year old dog, Dixie, who she says wears a flame collar her roommate bought him that someone else said looks like it came from a Korn concert.
Laura Callier came across the phrase Body Copy while using some now forgotten freeware at a now forgotten job that didn’t want to pay for the name brand goods…body copy, as in…the text to be entered into the body of a document. “What is the content of your body’s copy?” she asks you to ask yourself. Then, a year ago, she moved from Chicago to Los Angeles, a bit on a whim, a bit to escape winter, a bit to pursue sound design and post production. She would go out, and search for familiar faces at shows, in stores, on sidewalks. It’s an overpopulated city, but it’s a lonely city. Strangers everywhere looked slightly familiar, like if you took the face of a loved one and popped it in the microwave for 10 seconds. The world is full of Body Copies, and the Nerds haven’t even perfected Replicants yet. Gel Set is the art that Callier makes in her noisy bedroom, currently in Koreatown. She sold most of her gear before moving to LA, but on this album, in varying amounts, she used a Tempest, a Monomachine, an Evolver, a Mopho, a Yamaha RX5, Arturia soft synths, Ableton, a TR-8, a Nord Rack, and a Virus A. Maybe some other things? She also says she got a bunch of film samples/sound effects from an unpaid job she did in LA that she used as much as possible on this album to justify her excessive free labor. By got, she possibly means stole? Stealing is wrong, she says, but so is the exploitation inherent in some unpaid industry jobs. “Just sayin,” she mutters, and changes the subject. When asked her influences, she says “I like crunchy, hard electronic music that sounds like it was made by someone who is growing mushrooms on their person,” whatever that means, and she says she loves the raw emotion of Karen Dalton, the abstract story telling and dissonance of late Scott Walker, the synthesis of Mort Garson and Tangerine Dream, the heavy sounds of Hogg, and she’s ever flattered by comparisons to Chris and Cosey. She says she also loves music with a pop sensibility, from Erasure to Jessy Lanza. TL;DR, the hard facts: She’s a multimedia artist. She plays in several bands besides Gel Set (her solo project). Simulation is dreamy psychedelic electronic duo with Whitney Johnson from Matchess, E+, and Verma. Athleisure is a duo with video artist Jason Ogawa from Tarnation. God Vol 1 is a duo with visual artist Nicole Ginelli. She grew up in Houston. She’s a Leo, Scorpio Rising. She says she has a codependent relationship with her 16 year old dog, Dixie, who she says wears a flame collar her roommate bought him that someone else said looks like it came from a Korn concert.