FRIDAY JUL 29, 2022
Elf Power
Elf Power formed in 1994 and over the last 23 years have released thirteen albums, two eps, and a handful of singles, while touring North America, Europe, and Japan many times. Albums such as 1998’s Dave Fridmann-produced “A Dream In Sound” and 2008’s collaboration with the late Vic Chesnutt, “Dark Developments” have cemented the bands’ reputation as the finest purveyors of modern melodic psychedelic folk rock around. Their tour in support of their last album , 2013’s “Sunlight on the Moon” , took them on an extensive tour in support of Neutral Milk Hotel’s much acclaimed reunion tour, as well as dates with Broken Bells and headlining dates. Their latest album “Twitching in Time” combines experimental arrangements and sublime songwriting with their powerful live bombast, into their strangest, most cohesive, and most exciting sounding album yet. Opening track “Halloween Out Walking” combines minimal and beautiful folk rock arrangements with otherworldy Moog synthesizer gurglings to awe-inspiring effect. Other highlights include “Watery Shreds”, a piano ballad that transforms itself into an explosive an unexpected distorted guitar drone freakout, sounding like an unlikely marriage of avant-garde keyboardist Laurie Anderson and drone metallers Sunn 0)) . Songs like the title track and “Cycling Aimlessly” are classic fuzzed out melodic rock songs the likes of which the band has become known for , while songs like “Gorging on the Feast” explore a jazzy, melancholy terrain before descending into a shredding heavy rock assault. The constant shifting of sounds and styles makes for one of the band’s most diverse and satisfying albums yet. On this album, singer/songwriter Andrew Rieger and longtime collaborator multi-instrumentalist Laura Carter are joined by Matthew Garrison on bass, Peter Alvanos on drums, and Davey Wrathgabar on guitar. The album is released on May 12, 2017 on the band’s own Orange Twin Records, that has released almost 50 albums since 2001, including releases by Neutral Milk Hotel, Vic Chesnutt, Jeff Mangum, Jack Logan, Nana Grizol, Gerbils and many more.Orange Twin Records works in conjunction with The Orange Twin Conservation Community, 155 acres of beautiful land on the outskirts of Athens, GA that has initiated the development of a highly progressive, self-sustainable and ecologically-minded cluster village and nature preserve.
Elf Power formed in 1994 and over the last 23 years have released thirteen albums, two eps, and a handful of singles, while touring North America, Europe, and Japan many times. Albums such as 1998’s Dave Fridmann-produced “A Dream In Sound” and 2008’s collaboration with the late Vic Chesnutt, “Dark Developments” have cemented the bands’ reputation as the finest purveyors of modern melodic psychedelic folk rock around. Their tour in support of their last album , 2013’s “Sunlight on the Moon” , took them on an extensive tour in support of Neutral Milk Hotel’s much acclaimed reunion tour, as well as dates with Broken Bells and headlining dates. Their latest album “Twitching in Time” combines experimental arrangements and sublime songwriting with their powerful live bombast, into their strangest, most cohesive, and most exciting sounding album yet. Opening track “Halloween Out Walking” combines minimal and beautiful folk rock arrangements with otherworldy Moog synthesizer gurglings to awe-inspiring effect. Other highlights include “Watery Shreds”, a piano ballad that transforms itself into an explosive an unexpected distorted guitar drone freakout, sounding like an unlikely marriage of avant-garde keyboardist Laurie Anderson and drone metallers Sunn 0)) . Songs like the title track and “Cycling Aimlessly” are classic fuzzed out melodic rock songs the likes of which the band has become known for , while songs like “Gorging on the Feast” explore a jazzy, melancholy terrain before descending into a shredding heavy rock assault. The constant shifting of sounds and styles makes for one of the band’s most diverse and satisfying albums yet. On this album, singer/songwriter Andrew Rieger and longtime collaborator multi-instrumentalist Laura Carter are joined by Matthew Garrison on bass, Peter Alvanos on drums, and Davey Wrathgabar on guitar. The album is released on May 12, 2017 on the band’s own Orange Twin Records, that has released almost 50 albums since 2001, including releases by Neutral Milk Hotel, Vic Chesnutt, Jeff Mangum, Jack Logan, Nana Grizol, Gerbils and many more.Orange Twin Records works in conjunction with The Orange Twin Conservation Community, 155 acres of beautiful land on the outskirts of Athens, GA that has initiated the development of a highly progressive, self-sustainable and ecologically-minded cluster village and nature preserve.
Small Reactions
Small Reactions play nerve pop. Their music has tinges of new wave and post punk; it’s often angular, sometimes surfy, and generally quick. They are a band of four guys who pull from various literary, geometric, and culinary influences in order to create and perform. They’ve played somewhere in the vicinity of 114 shows. With an average of 45 minutes on stage per show, they have amassed roughly 5, 130 minutes of playing music to an audience. They continue to add to those minutes, so this bio has to be updated often… with a calculator. Clinton, Scotty, Sam, and Sean, our respective singers and instrumentalists, never play anything the same way twice. They attempt to make shows more akin to movements than a simple collection of songs. Songs, in turn, maintain a sense of careful spontaneity. As ever present elements, levels, dynamics, voices, instrumentation, and sounds all shift and intertwine. Setlists, like the songs which comprise them, are, similarly, always different. Forever moving forward, they strive for perpetual motion. Scientists say it isn’t possible, but it is. Their concerts do, however, wrap up in a timely and orderly fashion.
Small Reactions play nerve pop. Their music has tinges of new wave and post punk; it’s often angular, sometimes surfy, and generally quick. They are a band of four guys who pull from various literary, geometric, and culinary influences in order to create and perform. They’ve played somewhere in the vicinity of 114 shows. With an average of 45 minutes on stage per show, they have amassed roughly 5, 130 minutes of playing music to an audience. They continue to add to those minutes, so this bio has to be updated often… with a calculator. Clinton, Scotty, Sam, and Sean, our respective singers and instrumentalists, never play anything the same way twice. They attempt to make shows more akin to movements than a simple collection of songs. Songs, in turn, maintain a sense of careful spontaneity. As ever present elements, levels, dynamics, voices, instrumentation, and sounds all shift and intertwine. Setlists, like the songs which comprise them, are, similarly, always different. Forever moving forward, they strive for perpetual motion. Scientists say it isn’t possible, but it is. Their concerts do, however, wrap up in a timely and orderly fashion.