FRIDAY JUN 25, 2021
529 & Speakeasy Promotions Presents:
This show is sold out. There will be no tickets at the door. You can stream the show online at https://volume.com/529eav starting at 9:30pm EST
Upchuck
The Difference Machine
Psychic Death | Gage Gilmore
Upchuck
While reliving memories from some of the more brash and hedonistic shows that have come to define Upchuck’s meteoric rise through Atlanta’s indie music scene since 2018, singer KT and guitarist Mikey remember one close call they had while heading to an afterparty.
As the story goes, half exhausted and half intoxicated, KT tripped and stumbled to the ground while getting out of the passenger seat of the car in which she was riding. She picked herself up to find that she was standing face-to-face with an Atlanta police officer. She straightened up and said hello, terrified about what was coming next.
Are y’all in the band Upchuck?” the cop asked.
“Yes, sir …” KT replied.
“My brother saw your show tonight,” the cop replied. “He said it was lit. … Have a good night. Be safe.”
Now, KT and Mikey both laugh about how lucky they were to have dodged that bullet. But it’s the kind of story that could only happen in Atlanta. It also encapsulates how erratic a night in the life of Atlanta’s music scene at full throttle can be for a group of young punks and restless artists. It’s a scene from which Upchuck has emerged to craft the ideal soundtrack with their Famous Class Records debut album, Sense Yourself, due out September 30.
It’s also a cautionary tale, hinting at some of the major themes that also define the group’s sound and vision: “Calls for social change, a call for introspection and to heal one another, calls for awareness, and a call for action, KT says. “Know what needs to be done and act on it, all the while managing to take time to have a good fucking time and release.”
Sense Yourself is teeming with the sounds of swaggering danger, while the deeply ingrained innocence of Upchuck’s eponymous anthem takes shape as a celebration of intensity — reaching a fever pitch at the top of the album.
Songs bearing titles such as “Boss Up,” “In Your Mind,” and “Our Skin” come out of the gate strong, complete with searing energy courtesy of guitarists Mikey and Hoff. Bass player Armando and drummer Chris’ rhythms are driven by a bounding sense of urgency and contempt. Musically speaking, there is no realm that Upchuck does not touch, as the group attacks creative post-punk and indie rock with a compelling blend of high-energy blasts and ’90s alt rock inflections, channeled through a haze of distortion. "Perdido," sung entirely in Spanish by drummer Chris, builds energy around the phrase: “Hago lo que quiero” — I do what I want.
With "In Your Mind," the group explores the realities of reaping what you sow.
But the album’s undisputed jam, "Facecard," finds KT taking on the superficiality of modern America: “The trifling yuppie fuck, comes out beyond the cut to try and low ball, low ball,” KT sings.
Operating from an axis of punk, hip-hop, and alt rock, a sense of discovery, and the power of youthful energy culminating in a new music contained within these songs is intoxicating to the end.
While reliving memories from some of the more brash and hedonistic shows that have come to define Upchuck’s meteoric rise through Atlanta’s indie music scene since 2018, singer KT and guitarist Mikey remember one close call they had while heading to an afterparty.
As the story goes, half exhausted and half intoxicated, KT tripped and stumbled to the ground while getting out of the passenger seat of the car in which she was riding. She picked herself up to find that she was standing face-to-face with an Atlanta police officer. She straightened up and said hello, terrified about what was coming next.
Are y’all in the band Upchuck?” the cop asked.
“Yes, sir …” KT replied.
“My brother saw your show tonight,” the cop replied. “He said it was lit. … Have a good night. Be safe.”
Now, KT and Mikey both laugh about how lucky they were to have dodged that bullet. But it’s the kind of story that could only happen in Atlanta. It also encapsulates how erratic a night in the life of Atlanta’s music scene at full throttle can be for a group of young punks and restless artists. It’s a scene from which Upchuck has emerged to craft the ideal soundtrack with their Famous Class Records debut album, Sense Yourself, due out September 30.
It’s also a cautionary tale, hinting at some of the major themes that also define the group’s sound and vision: “Calls for social change, a call for introspection and to heal one another, calls for awareness, and a call for action, KT says. “Know what needs to be done and act on it, all the while managing to take time to have a good fucking time and release.”
Sense Yourself is teeming with the sounds of swaggering danger, while the deeply ingrained innocence of Upchuck’s eponymous anthem takes shape as a celebration of intensity — reaching a fever pitch at the top of the album.
Songs bearing titles such as “Boss Up,” “In Your Mind,” and “Our Skin” come out of the gate strong, complete with searing energy courtesy of guitarists Mikey and Hoff. Bass player Armando and drummer Chris’ rhythms are driven by a bounding sense of urgency and contempt. Musically speaking, there is no realm that Upchuck does not touch, as the group attacks creative post-punk and indie rock with a compelling blend of high-energy blasts and ’90s alt rock inflections, channeled through a haze of distortion. "Perdido," sung entirely in Spanish by drummer Chris, builds energy around the phrase: “Hago lo que quiero” — I do what I want.
With "In Your Mind," the group explores the realities of reaping what you sow.
But the album’s undisputed jam, "Facecard," finds KT taking on the superficiality of modern America: “The trifling yuppie fuck, comes out beyond the cut to try and low ball, low ball,” KT sings.
Operating from an axis of punk, hip-hop, and alt rock, a sense of discovery, and the power of youthful energy culminating in a new music contained within these songs is intoxicating to the end.
The Difference Machine
Who are the spirit fakers? What do they want? These are just two of the many questions posed by The Difference Machine on their 3rd full length album, 'Unmasking the Spirit Fakers'.
Loosely based on an essay by the master magician himself, Harry Houdini, 'Unmasking the Spirit Fakers' finds the Atlanta-based psychedelic hip hop outfit examining the motives and practices of those who attempt to provide cure-alls and treatments for spiritual ills. Are they gurus or snake oil salesmen? Though abstract in their approach, The Difference Machine attempts to pin down these answers for the listener via a vast backdrop rich with dense lyricism and mind-bending production. Songs like 'Repeater' and 'Flat Circles' place them in the role of shaman whereas songs like 'Car Key' and 'It Ain't' venture to ask if they themselves are the spirit fakers in question.
Regardless of what role the ensemble assumes, the album was crafted with the human psyche in mind. Poignant guest appearances from hip hop heavyweights such as Sa-Roc (Rhymesayers), Quelle Chris (Mello Music Group), Homeboy Sandman, Denmark Vessey, Dillon & Sum add more colors to the canvas. The only wish of The Difference Machine is that the listener is both entertained and enlightened by this auditory adventure. They hope whatever conclusion you come to will be through honesty and sincerity.
Perhaps one day we will all be unmasked.
Stream/Purchase UNMAKSING THE SPIRIT FAKERS here: https://soulspazm.ffm.to/utsf
Who are the spirit fakers? What do they want? These are just two of the many questions posed by The Difference Machine on their 3rd full length album, 'Unmasking the Spirit Fakers'.
Loosely based on an essay by the master magician himself, Harry Houdini, 'Unmasking the Spirit Fakers' finds the Atlanta-based psychedelic hip hop outfit examining the motives and practices of those who attempt to provide cure-alls and treatments for spiritual ills. Are they gurus or snake oil salesmen? Though abstract in their approach, The Difference Machine attempts to pin down these answers for the listener via a vast backdrop rich with dense lyricism and mind-bending production. Songs like 'Repeater' and 'Flat Circles' place them in the role of shaman whereas songs like 'Car Key' and 'It Ain't' venture to ask if they themselves are the spirit fakers in question.
Regardless of what role the ensemble assumes, the album was crafted with the human psyche in mind. Poignant guest appearances from hip hop heavyweights such as Sa-Roc (Rhymesayers), Quelle Chris (Mello Music Group), Homeboy Sandman, Denmark Vessey, Dillon & Sum add more colors to the canvas. The only wish of The Difference Machine is that the listener is both entertained and enlightened by this auditory adventure. They hope whatever conclusion you come to will be through honesty and sincerity.
Perhaps one day we will all be unmasked.
Stream/Purchase UNMAKSING THE SPIRIT FAKERS here: https://soulspazm.ffm.to/utsf