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529Logo_1022-1
Friday Feb 03, 2017
21+ | 9:00 pm | 15
529 Presents:

THIS SHOW IS SOLD OUT

Chunklet Industries Presents:

Magnapop

Elf Power | Peter Holsapple

Magnapop

Magnapop is an alternative rock band based in Atlanta, Georgia. Formed in 1989, the band has consistently included songwriting duo Linda Hopper as vocalist and Ruthie Morris on guitar. Magnapop first achieved recognition in the Beneluxcountries of Belgium, the Netherlands and Luxembourg through the festival circuit and have remained popular in Europe throughout their career. After modest success in the United States in the mid-1990s with the singles “Slowly, Slowly” and “Open the Door” and a series of albums produced by Michael Stipe, Bob Mould, and Geza X, the band went on an extended hiatus due to the dissolution of their record label. They returned with a new rhythm section in 2005 on the Daemon Records release Mouthfeel. The band has continued to perform and record since this reunion and have self-released two more albums. Magnapop’s musical style is noted for blending the pop vocals and melodies of Hopper with the aggressive, punk-influenced guitar-playing of Morris and her back-up vocal harmonies.

Magnapop

Elf Power

Elf Power formed in 1994 and over the last 23 years have released thirteen albums, two eps, and a handful of singles, while touring North America, Europe, and Japan many times. Albums such as 1998’s Dave Fridmann-produced “A Dream In Sound” and 2008’s collaboration with the late Vic Chesnutt, “Dark Developments” have cemented the bands’ reputation as the finest purveyors of modern melodic psychedelic folk rock around. Their tour in support of their last album , 2013’s “Sunlight on the Moon” , took them on an extensive tour in support of Neutral Milk Hotel’s much acclaimed reunion tour, as well as dates with Broken Bells and headlining dates. Their latest album “Twitching in Time” combines experimental arrangements and sublime songwriting with their powerful live bombast, into their strangest, most cohesive, and most exciting sounding album yet. Opening track “Halloween Out Walking” combines minimal and beautiful folk rock arrangements with otherworldy Moog synthesizer gurglings to awe-inspiring effect. Other highlights include “Watery Shreds”, a piano ballad that transforms itself into an explosive an unexpected distorted guitar drone freakout, sounding like an unlikely marriage of avant-garde keyboardist Laurie Anderson and drone metallers Sunn 0)) . Songs like the title track and “Cycling Aimlessly” are classic fuzzed out melodic rock songs the likes of which the band has become known for , while songs like “Gorging on the Feast” explore a jazzy, melancholy terrain before descending into a shredding heavy rock assault. The constant shifting of sounds and styles makes for one of the band’s most diverse and satisfying albums yet. On this album, singer/songwriter Andrew Rieger and longtime collaborator multi-instrumentalist Laura Carter are joined by Matthew Garrison on bass, Peter Alvanos on drums, and Davey Wrathgabar on guitar. The album is released on May 12, 2017 on the band’s own Orange Twin Records, that has released almost 50 albums since 2001, including releases by Neutral Milk Hotel, Vic Chesnutt, Jeff Mangum, Jack Logan, Nana Grizol, Gerbils and many more.Orange Twin Records works in conjunction with The Orange Twin Conservation Community, 155 acres of beautiful land on the outskirts of Athens, GA that has initiated the development of a highly progressive, self-sustainable and ecologically-minded cluster village and nature preserve.

Elf Power

Peter Holsapple

Peter Livingston Holsapple (born February 19, 1956) formed, along with Chris Stamey, the singing, songwriting, and guitar-playing core of the dB’s, a jangle-pop band from Winston-Salem, North Carolina. He became the band’s principal songwriter and singer after Stamey’s departure. The dB’s were at the forefront of the guitar bands from the southeast in the 1980s along with R.E.M., Let’s Active, etc. The dB’s never achieved the prominence of R.E.M. but were critically recognized and are still greatly appreciated today. The band, with Stamey back in the fold, reformed with new material in 2005–2006.

Peter Holsapple